The famous and the brilliant also wish to have her company, for she is part of their world; and can take her share in their sophisticated conversations.
It changed the tendency of having a very high-flown diction for poetry. Sheets and pyjamas crumble and dissolve in their hands, because, though they do not state this in so many words, it seems silly to take the washing round to Mrs. Great sheer slabs of rock, tree tufted, surrounded him.
Wilkinson, looking at the matter, it is to be feared, from his own angle, and with a view to his own necessities, argued that as Chaplain of the Savoy, which was extra-Parochial and Royal-exempt, he could grant licences as usual—a privilege which at once brought him such a glut of business, such a crowd of couples wishing to be married in a hurry, that the rat-tat-tat never ceased on his street door, and cash flooded the family exchequer so that even his little boy's pockets were lined with gold.
Standing out in the street, one may build up all the chambers of an imaginary house and furnish them at one's will with sofa, table, carpet. The sheep grazing, the waves of the valley, the farmhouse, the puppy, the dancing butterflies were in fact like that all through.
Giving illustrations from Wordsworth's own poems, he disproves Wordsworth's assertion that he was using the language of the rustics.
Now we have got to collect ourselves; we Wordsworths theory of poetic diction got to be one self. One could not help watching him.
And Tennyson with his fear of publicity—"While I live the owls, when I die the ghouls"—left nothing more succulent for the ghoul to feed upon than a handful of dry little notes that anybody could read, or print or put under glass in a museum.
The parish doctor now. Didn't you hear his wife? It does so differ in the poetry of Wordsworth himself. But this background, while it gives its scale to the moment, is so well established that she is secure.
He must be active —he must be up and doing. He was now past fifty, and what with good company and good living, was seldom free from duns, and always pressed for money.
On one such secret journey he was hurrying to get within the royal sanctuary of St. Ultimately these methods should reflect the primary laws of nature. He pointed out, first, that a language so selected and purified, as Wordsworth suggests, would differ in no way from the language of any other men of commonsense.
But what was happening outside? Gide's—hybrid books in which the writer talks in the dark to himself about himself for a generation yet to be born.
Does this little figure advancing through beauty, through death, to the economical, powerful and efficient future when houses will be cleansed by a puff of hot wind satisfy you?
The Lyrical Ballads are Wordsworths theory of poetic diction as experiments, to try out the use of the language of conversation of real people in poetry. In his opinion, the language of poetry must not be separated from the language of men in real life.
The argues that rustic life is narrow and the rustic is actually acquitted with only a few things of life. It floats us smoothly down a stream; resting, pausing, the brain sleeps perhaps as it looks. One is apt to forget all about life, seeing it humped and bossed and garnished and cumbered so that it has to move with the greatest circumspection and dignity.
The best words are abstract nouns and concepts. These are the four basic principles of Wordsworth's theory of poetic diction. There are passages which will out the one, but not the other. She raised her little skirts and displayed her little legs.
He points out that the experience of the rustic is very limited; the facts at his disposal are society; so he cannot think logically. I feel suddenly attached not to the past but to the future.
Here we are made to pause and think about it; and are reminded that Shakespeare wrote for the body and for the mind simultaneously. There exist a still greater difference between the order of words used in a poetic composition and that used in prose, unless Wordsworth had only meant words, and not the style of using them.
She loves going out by herself at night. By men, Wordsmith meant the rustic folk and humble people.is and in to a was not you i of it the be he his but for are this that by on at they with which she or from had we will have an what been one if would who has her.
To begin, poetic diction must be defined. Poetic diction refers to the style of writing used in poetry (the linguistic style, vocabulary, and use of figurative language-. Jul 31, · S. T. Coleridge: Criticism on Wordsworth's Theory of Poetic Diction Coleridge claimed credit for these theories and said they were “half the child of his brain”.
But later on, his views underwent the change; he no longer agreed with Wordsworth’s theories and so criticized them. Answer: The problem of poetic diction has been one of the most controversial Issues In literary criticism. The most Important part In the history of poetic diction Is constituted by Wordsmith’s views on the language of poetry.
iv WORDSWORTH ’S THEORY OF P OETIC DICTION In citing quotations from the prose of Coleridge and the poetry of Wordsworth, I have tried to retain the original punctuation and spelling, because they represent the usage of the authors themselves In most other cases it has seemed best to standardize the spelling and punctuation for the sake of.
The Death of the Moth. Moths that fly by day are not properly to be called moths; they do not excite that pleasant sense of dark autumn nights and ivy-blossom which the commonest yellow-underwing asleep in the shadow of the curtain never fails to rouse in us.Download